Tag Archives: japanese

Interview in The Eldon Review

4 Feb

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My interview with Elizabeth Palmer for The Eldon Review, the University of Portsmouth’s creative writing blog is now live. It’s called ‘Dangerous Segues’ and starts a little bit like this:

Elizabeth Palmer talks to Dr Tom Sykes, Deputy Course Leader for undergraduate creative writing degrees at the University of Portsmouth, about history, reportage, dangerous destinations and how we might define creative writing.

Elizabeth Palmer: Why did you decide to become a creative writing lecturer?

Tom Sykes: About ten years ago when I was working as a freelance writer, I thought I might have some useful ideas that I could pass on to others. I’d always done a lot of thinking about my own creative processes and ‘the craft’ in general. I started a PhD at Goldsmiths, University of London with the expectation that I probably wouldn’t get any teaching work until I’d completed the course. But about a year into the PhD, the University of Portsmouth hired me, I think on the strength of my publication record. At that time I was living in Bristol, although I’d grown up in the Pompey area so it seemed fate was drawing me back to this part of the world.

EP: Why did you choose creative writing in particular and not English literature?

TS: My first degree was in English at the University of East Anglia. At that time, UEA was one of the few UK universities that had a creative writing programme, but now you’ll find them everywhere. As part of my studies I was able to take units in journalism and prose fiction writing, which I enjoyed and did pretty well in. Ten years later, when I was applying for PhDs, I was in two minds because I had ideas for dissertations in both creative writing and English. As it happened, I was able to sort of combine the two disciplines at Goldsmiths.

Read the rest of the piece here. 

Corregidor: Isle of War and Beauty

5 Feb

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As the ferry pulls in to a pine-fringed cove of ivory-coloured sand, I find it hard to imagine Corregidor Island as the scene of some of the fiercest fighting in the Pacific theatre of World War II. A strategic outpost guarding Manila from sea invasion since the 1500s, Corregidor was attacked from the opposite direction by the Japanese in early 1942. General Douglas Macarthur, commander of the US Army Forces in the Far East, was forced to flee the island by PT boat to Australia, famously vowing ‘I shall return’. In two days, a 75,000-strong Japanese army fought their way past 45 pieces of heavy artillery and overwhelmed 13,000 US and Filipino soldiers. Three years later, MacArthur made good on his promise and liberated the island in a daring air and sea assault that turned out to be even bloodier than the first Battle of Corregidor. The US victory was to prove decisive in ending the war in Asia.

When we reach land, I’m ushered into a charmingly retro tour bus that resembles a wartime tram and away we go into the depths of the jungle. We pass the grey, spectral ruins of barracks and mess halls, some held up by shaky foundations either damaged by shelling or worn thin by age. As we drive, our tour guide holds up a selection of items he’s found strewn around Corregidor, amongst them a Japanese bayonet, a Coca-Cola bottle from 1912 and US and Filipino currency dating back 150 years.

We stop at Battery Way, an emplacement of mortars that still have bullet holes in them, despite a thick and recently applied coat of paint. Our guide tells me to look down the barrel of one of the guns. I do so and see a bomb nestling in the base. ‘That’s still live,’ says the guide, ‘but it is probably harmless.’ I back away with a fake smile.

A delicious lunch of pork adobo and pancit canton (flour noodles with vegetables and seafood) is served on the Spanish-style veranda of the Corregidor Inn. It’s possible to stay the night at the Inn and use it as a base for activities such as kayaking, ziplining and all-terrain vehicle driving.

Our next stop is the moving Pacific War Memorial and its 40 foot-tall abstract sculpture representing the eternal flame. The rotunda features stone-etched memorials to those who died in every conflict the Philippines has been involved in, including the often under-reported Spanish-American War of 1898 when the US wrested control of the archipelago from the Spanish Empire.

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For many, Corregidor’s piéce de resistance is the Malinta Tunnel complex, that in its heyday housed a field hospital, an electric tram system, shops, storerooms and General MacArthur’s  operational headquarters. The American and Filipino garrison made its last stand against the Japanese inside Malinta and just a few months before that Manuel Quezon was sworn in here for his second term as President of the semi-autonomous Philippine Commonwealth. Although a close friend of MacArthur’s and a supporter of the US presence in his country, Quezon is reported to have exploded with anger after listening to a speech by President Roosevelt about the war in Europe and shouted, ‘How typical of America to writhe in anguish at the fate of a distant cousin, Europe, while a daughter, the Philippines, is being raped in the back room!’

With the aid of torches, we make our way through the curve-arched main tunnel and peer into alcoves containing life-size metal models of soldiers, engineers, doctors, nurses, MacArthur himself and his second-in-command General Jonathan Wainwright. Normally there’s an audiovisual presentation detailing the history of Malinta, but for technical reasons it isn’t available right now.

I am suitably sobered as we emerge from the tunnel and ride the tour bus back to the ferry port. All in all, Corregidor is a captivating insight into a momentous event in history and a poignant tribute to the thousands of young men who died in the most destructive war of all time.

Press contacts: Chit Afuang (chit@itsmorefuninthephilippines.co.uk)

Sun Cruises (suncruises@magsaysay.com.ph)

(Originally published in Globetrotter, January 2015)